A series of digitally printed works, in which bones are spread and layered across white background; some totally encrusted, others swept to leave areas of the ground cleared.

Most are produced on a large scale. The images have also been adapted as a wallpaper.

Although the bones are digitally mastered, the formation is gestural and to some extent random (giving rise to the Jackson Pollock reference.)

An offset lithographic print was also produced to accompany Sophie Parkin's book about the Colony Club, London, 2012.

This work is related to the film installation Forever Always Somewhere.